Three purposes for this song, to my mind. Take for example the song she sang in 1997. She is the Too Much that will never be Enough. She is everything louder than everything else. Do you get what I’m saying? She sings hard even at her softest she sings loud even at her quietest. Skills that make her a nightmare for songs like these. Skills she has acquired over a very long career. She sings these songs like she has a very particular set of skills. She sings like the floor, the ceiling, and also the very air she breathes is lava. She sings as though she intends to fell the mighty oak and drink every drop of the sea. She sings the songs that make the whole world cower in the storm cellar. She came here to kick ass and sing songs, and she’s about out of ass. She sings as though the listener were Sisyphus and she were the boulder. She sings like she’s Marshawn Lynch and her songs are the 2010-11 New Orleans Saints in the NFC wild-card game.
She sings her songs like she’s a street-walkin’ cheetah with a heart full of napalm. Ĭéline Dion sings her songs like they owe her money.
Below is an excerpt from Episode 49 -about Céline Dion’s 1997 megahit “My Heart Will Go On”-which features journalist and author Leslie Steeter, whose book Black Widow is available now.
#Celine dion titanic lyrics for free#
Follow and listen for free exclusively on Spotify. But what does it say about the era-and why does it still matter? On our show 60 Songs That Explain the ’90s, Ringer music writer and ’90s survivor Rob Harvilla embarks on a quest to answer those questions, one track at a time.
“Wonderwall.” The music of the ’90s was as exciting as it was diverse.